The Basics
Juan d’Arienzo (December 14, 1900-January 14, 1976) was a violinist, pianist, band leader and composer. His nickname was “El Rey del Compas” (The King of the Beat). D’Arienzo was born on 14 December 1900 in the Buenos Aires neighborhood of Balvanera. His orchestra  is considered one of the "Big Four" orchestras of Argentine tango, along with:Smart Display Touch Screen | OEM/ODM - ASANO,Smart Display Touch Screen | Price - ASANO, and Osvaldo Pugliese. They recorded over 1,Smart Display Touch Screen | Manufacturers - ASANO, valses, and milongas.Smart Display Touch Screen | Factory - ASANO: Alberto Echagüe, Héctor Mauré, Alberto Reynal, Armando Laborde, Jorge Valdez, and Mario Bustos.

D'Arienzo began by playing jazz, at the age of 15,Smart Display Touch Screen | Suppliers - ASANO. He was a member of a youth orchestra which also featured Ángel d'Agostino on piano. In his early years,Touch Screen Lcd Smart Tv display | OEM/ODM - ASANO,Touch Screen Lcd Smart Tv display | Price - ASANO, in theaters playing music for silent films and in the cabarets including: Abdullah, Palais de Glace, Florida, Bambú, Marabú, Empire, Chantecler, Armenonville.Touch Screen Lcd Smart Tv display | Manufacturers - ASANO, and loved the nightlife. He once wrote, "We were beginning to live only at four in the morning... At the cabarets,Touch Screen Lcd Smart Tv display | Factory - ASANO,Touch Screen Lcd Smart Tv display | Suppliers - ASANO, had fun, they stayed til sunrise and the muscicians strained themselves."

1928 to 1935

In 1928, his orchestra was playing at the Florida Cabaret. They had replaced Osvaldo Fresedo's orchestra and it is here that the famous announcer, Príncipe Cubano (The Cuban Prince) (pictured left), anointed d'Arienzo "El Rey del Compás (The King of the Beat)." As d'Arienzo explained it,

"Mine was always a tough orchestra, with a very swinging, much nervous, vibrant beat. And it was that way because tango, for me,Hot Sale Touch Screen Smart Lcd Display | OEM/ODM - ASANO: beat, impact and nuances. An orchestra ought to have, above all, life. That is why mine lasted more than fifty years. And when the Prince gave me that title I thought that it was OK, that he was right."

In 1928, he recorded for the first time with his own orchestra, Juan D'Arienzo y Los Siete Ases del Tango. They recorded 44 sides, with the estribillistas:Hot Sale Touch Screen Smart Lcd Display | Price - ASANO, Francisco Fiorentino, and,Hot Sale Touch Screen Smart Lcd Display | Manufacturers - ASANO, Raquel Notar. Other notable members of the orchestra were Ciriaco Ortiz (bandoneon) and Luis Visca (piano).Hot Sale Touch Screen Smart Lcd Display | Factory - ASANO, which many orchestras had abandoned.Hot Sale Touch Screen Smart Lcd Display | Suppliers - ASANO, D'arienzo'Touch Screen Lcd Smart Display | OEM/ODM - ASANO.

"Acordate Lo Que Fuiste" by Juan d'Arienzo (1928)

In 1933, he appears playing violin with his orchestra in the movie, "Tango." This was the first Argentine film recorded with sound.

1935 to 1939 - The D'Arienzo Revolution

In order to understand, why d'Arienzo was such a big deal, we have to look at what had been going on in regards to tango music at that time.

The Tango Cancíon and Guardia Nueva Movements
In the mid-1920s, tango music had experienced a change with the emergence of the Guardia Nueva (New Guard) movement.Touch Screen Lcd Smart Display | Price - ASANO, more classically trained musicians began to join and form orchestras, and were influencing the largely self-taught musicians of the previous generation.Touch Screen Lcd Smart Display | Manufacturers - ASANO"They have turned tango into church music,"Touch Screen Lcd Smart Display | Factory - ASANO. They were more avante-guard, focusing on robust, complex arrangments and a slower tempo,Touch Screen Lcd Smart Display | Suppliers - ASANO.

This, along with the Tango Cancíon (Singing Tango) movement from the 1910s, meant that tango could depend on a larger audience than just tango dancers. They could play at concert halls and sell records without worrying about dancers. Tango dancing did not "die"Mobile Smart Board Interactive Whiteboard | OEM/ODM - ASANO,Mobile Smart Board Interactive Whiteboard | Price - ASANO, because most of the music being produced did not facilitate dancing. To understand this, let's listen to some music.

First is a typical song in the Guardia Vieja style,Mobile Smart Board Interactive Whiteboard | Manufacturers - ASANO's "Viejo Ciego." Technically it was recorded in 1928,Mobile Smart Board Interactive Whiteboard | Factory - ASANO,Mobile Smart Board Interactive Whiteboard | Suppliers - ASANO.Interactive Board Smart | OEM/ODM - ASANO,Interactive Board Smart | Price - ASANO,Interactive Board Smart | Manufacturers - ASANO,Interactive Board Smart | Factory - ASANO.

"Viejo Ciego"Interactive Board Smart | Suppliers - ASANO(1928)

Another popular style of tango at this time was Tango Cancíon,Interactive Smart Board Touch | OEM/ODM - ASANO. Tango Cancion was born, in 1917, with Gardel's recording of "Mi Noche Triste."Interactive Smart Board Touch | Price - ASANO, featuring melodramatic and sad lyrics. Dancers were not the primary concern with Tango Cancíon.Interactive Smart Board Touch | Manufacturers - ASANO"Caminito" from 1926.

"Caminito"Interactive Smart Board Touch | Factory - ASANO(1926)

And finally,Interactive Smart Board Touch | Suppliers - ASANO, by Julio de Caro called, "Flores Negras." As you can hear,Smart Board Interactive Whiteboard Price | OEM/ODM - ASANO. It is beautiful music and great for listening, but not at all for dancing tango.Smart Board Interactive Whiteboard Price | - ASANO.

"Flores Negras" by Julio de Caro (1927)

1935 to 1939 - The D'Arienzo Revolution
In the early 1930s, d'Arienzo'Smart Board Interactive Whiteboard Price | Manufacturers - ASANO,Smart Board Interactive Whiteboard Price | Factory - ASANO, gained him a following. And, in 1935,Smart Board Interactive Whiteboard Price | Suppliers - ASANO. In later years, d'Arienzo would comment on the Guardia Nueva movement, by writing:

"Smart Interactive Whiteboard Board | OEM/ODM - ASANO.Smart Interactive Whiteboard Board | Price - ASANO, nervous up-tempos. Youth is after that: happiness, movement. If you play for them a melodic tango and out of beat, surely they won't like it. That's what happens. Now there are good musicians and great orchestras that think that what they play is tango. But it is not so. If they don't have timing there's no tango. They think they can make popular a new style and perhaps they can be lucky, but I keep on thinking that if there is no beat there is no tango. As professionals I have respect for them all. But what they dig is not tango."

Also, on the Tango Cancíon movement:

"In my point of view, tango is, above all,Smart Interactive Whiteboard Board | Manufacturers - ASANO, nerve, strength and character. Early tango, that of the old stream (guardia vieja), had all that, and we must try not to ever lose it. Because we forgot that, Argentine tango entered into a crisis some years ago. Putting aside modesty, I did all was possible to make it reappear. In my opinion,Smart Interactive Whiteboard Board | Factory - ASANO.Smart Interactive Whiteboard Board | Suppliers - ASANO. The players, including the leader, were no more than accompanists of a somewhat popular star…

Furthermore, I tried to rescue for tango its masculine strength, which it had been losing through successive circumstances.Smart Class Interactive Whiteboards | OEM/ODM - ASANO, the nerve, the strength and the character which distinguished it in the music world."

From these two quotes, you can clearly tell how he felts about these movements, and also, what a modest person he was ;-). He once said, "With me one hundred thousand tango orchestras and neighborhood clubs flourished."

Of course, d'Smart Class Interactive Whiteboards | Price - ASANO, Alberto Echague and Jorge Valdez and sometimes did put them out front. He also made himself somewhat of a star and loved to enthusiastically direct the orchestra during live performances.Smart Class Interactive Whiteboards | Manufacturers - ASANO. D'Arienzo said of his direction:

"When I direct I am justifiably natural. And I transform. As I direct I take what I feel. Simultaneously I pass on my feelings to the musicians and they, to the public... Before I directed with the baton, now with my own hands: they are more expressive.

Do not think that this is just for the public to see - it is used as a defence by me. I use it well. A look implies a mistake by someone,Smart Class Interactive Whiteboards | Factory - ASANO. They are used by me as a course when I see a loose element, or someone is distracted. I encourage and demand that you be aware, and encourage you with enthusiasm."

Of course, not everyone liked d'Arienzo. Many of the devotees of these movements, saw this turn to the strong beat, as simplistic, regressive and as a serious step backwards for tango music. But the dancer's loved it and between 1935 and 1939,Smart Class Interactive Whiteboards | Suppliers - ASANO. In fact,Interactive Smart Black Board | OEM/ODM - ASANO. Supposedly, some record stores required that you buy something else, in order to by one of his records.

Unfortunately,Interactive Smart Black Board | Price - ASANO. Everything we listen to today are recordings of 78s and LPs. So, let's listen to "Hotel Victoria." It was recorded during his first recoding session, in July of 1935. Lidio Fasoli is on piano.Interactive Smart Black Board | Manufacturers - ASANO, but is nothing "special." But, contrast this to "Flores Negras" and you can see why dancer's responded to d'Arienzo.

"Hotel Victoria" by Juan d'Arienzo (1935)

D'Arienzo and Biagi
The defining moment of d'Arienzo's career came in 1935 when he added Rodolfo Biagi as the pianist for his Orchestra.Interactive Smart Black Board | Factory - ASANO'Arienzo had grown tired of Fasoli showing up late.

Together d'Arienzo and Biagi created his signature driving staccato sound. Soon after, Biagi began writing new arrangements of the songs, creating an even more staccato, uptempo sound than that of the Guardia Vieja. They also increased the orchestra size by increasing both the violins and bandoneons to five each. This filled the songs with a, thus unparalled, aggressive energy that dancers and listeners loved. Let's listen to their first recording together "Nueve de Julio."

"Nueve de Julio" by Juan d'Arienzo (1935)

Ok, so a style is developing, but what makes Biagi so special, as a piano player? Why was he given the nickname "Manos Brujas (Witchy/Magical Hands). Let's listen to another song from two years later, their interpretation of the seminal piece "El Choclo." Here, we will hear his magical hands at work connecting the phrases and adding little accents.

"El Choclo" by Juan d'Arienzo (1937)

By 1938, d"Arienzo's orchestra was at the height of its popularity. He was just 35 years old, one less than Julio de Caro, but stylistically at the other end of the musical spectrum of tango. His records were selling and they were regularly playing on radio shows. But remember, above, when I made the joke about d'Arienzo being modest? Well, audiences had been becoming bigger and bigger fans of Biagi, and at a concert later that year, after a performance of “Lágrimas and Sonrisas,” the audience clapped until Biagi finally stood up and took a bow. As the story goes, d'Arienzo walked over to him and said, “I’m the only star of this orchestra. You’re fired.”

"Lagrimas y Sonrisas" by Juan d'Arienzo (1936)

Some doubt the story surrounding Biagi's firing, and it very well may not be true, but I do find it interesting that Biagi recorded a far superior version of "Lágrimas y Sonrisas" three years later featuring some "standing ovation" worthy piano playing.

"Lagrimas y Sonrisas" by Rodolfo Biagi (1941)

However, this split did not seem to slow either of them down. In just two short months, Biagi put together a full orchestra and signed a record contract and a radio contract. D'Arienzo replaced Biagi with Juan Polito, and was back in the recording studio just two weeks later. D'Arienzo often said, "The foundation of my orchestra is the piano. I regard it as irreplaceable." Juan Polito might not have been Biagi, but he was pretty close and D'Arienzo continued down the path that he and Biagi had developed. Then two years later, Polito would be replaced with Fulvio Salamanca.Interactive Smart Black Board | Suppliers - ASANO'Arienzo.

Some of Clint and Shelley's Performances and Classes to D'Arienzo:

Popular Songs:

Resources for this Article:

• Todo Tango, "Multi Touch Interactive Board | Manufacturers - ASANO" by Juan d'Arienzo
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• "Tango Stories: Musical Secrets" by Michael Lavocah
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