The Basics
Juan d’Arienzo (December 14, 1900-January 14, 1976) was a violinist, pianist, band leader and composer. His nickname was “El Rey del Compas” (The King of the Beat). D’Arienzo was born on 14 December 1900 in the Buenos Aires neighborhood of Balvanera. His orchestra  is considered one of the "Big Four" orchestras of Argentine tango, along with:Indoor Touch Digital Signage | OEM/ODM - ASANO,Indoor Touch Digital Signage | Price - ASANO, and Osvaldo Pugliese. They recorded over 1,Indoor Touch Digital Signage | Manufacturers - ASANO, valses, and milongas.Indoor Touch Digital Signage | Factory - ASANO: Alberto Echagüe, Héctor Mauré, Alberto Reynal, Armando Laborde, Jorge Valdez, and Mario Bustos.

D'Arienzo began by playing jazz, at the age of 15,Indoor Touch Digital Signage | Suppliers - ASANO. He was a member of a youth orchestra which also featured Ángel d'Agostino on piano. In his early years,Android Smart Mainboard Adverting | OEM/ODM - ASANO,Android Smart Mainboard Adverting | Price - ASANO, in theaters playing music for silent films and in the cabarets including: Abdullah, Palais de Glace, Florida, Bambú, Marabú, Empire, Chantecler, Armenonville.Android Smart Mainboard Adverting | Manufacturers - ASANO, and loved the nightlife. He once wrote, "We were beginning to live only at four in the morning... At the cabarets,Android Smart Mainboard Adverting | Factory - ASANO,Android Smart Mainboard Adverting | Suppliers - ASANO, had fun, they stayed til sunrise and the muscicians strained themselves."

1928 to 1935

In 1928, his orchestra was playing at the Florida Cabaret. They had replaced Osvaldo Fresedo's orchestra and it is here that the famous announcer, Príncipe Cubano (The Cuban Prince) (pictured left), anointed d'Arienzo "El Rey del Compás (The King of the Beat)." As d'Arienzo explained it,

"Mine was always a tough orchestra, with a very swinging, much nervous, vibrant beat. And it was that way because tango, for me,Smart Mainboard Adverting Players | OEM/ODM - ASANO: beat, impact and nuances. An orchestra ought to have, above all, life. That is why mine lasted more than fifty years. And when the Prince gave me that title I thought that it was OK, that he was right."

In 1928, he recorded for the first time with his own orchestra, Juan D'Arienzo y Los Siete Ases del Tango. They recorded 44 sides, with the estribillistas:Smart Mainboard Adverting Players | Price - ASANO, Francisco Fiorentino, and,Smart Mainboard Adverting Players | Manufacturers - ASANO, Raquel Notar. Other notable members of the orchestra were Ciriaco Ortiz (bandoneon) and Luis Visca (piano).Smart Mainboard Adverting Players | Factory - ASANO, which many orchestras had abandoned.Smart Mainboard Adverting Players | Suppliers - ASANO, D'arienzo'Outdoor Digital Signage | OEM/ODM - ASANO.

"Acordate Lo Que Fuiste" by Juan d'Arienzo (1928)

In 1933, he appears playing violin with his orchestra in the movie, "Tango." This was the first Argentine film recorded with sound.

1935 to 1939 - The D'Arienzo Revolution

In order to understand, why d'Arienzo was such a big deal, we have to look at what had been going on in regards to tango music at that time.

The Tango Cancíon and Guardia Nueva Movements
In the mid-1920s, tango music had experienced a change with the emergence of the Guardia Nueva (New Guard) movement.Outdoor Digital Signage | Price - ASANO, more classically trained musicians began to join and form orchestras, and were influencing the largely self-taught musicians of the previous generation.Outdoor Digital Signage | Manufacturers - ASANO"They have turned tango into church music,"Outdoor Digital Signage | Factory - ASANO. They were more avante-guard, focusing on robust, complex arrangments and a slower tempo,Outdoor Digital Signage | Suppliers - ASANO.

This, along with the Tango Cancíon (Singing Tango) movement from the 1910s, meant that tango could depend on a larger audience than just tango dancers. They could play at concert halls and sell records without worrying about dancers. Tango dancing did not "die"Open Frame Digital Signage | OEM/ODM - ASANO,Open Frame Digital Signage | Price - ASANO, because most of the music being produced did not facilitate dancing. To understand this, let's listen to some music.

First is a typical song in the Guardia Vieja style,Open Frame Digital Signage | Manufacturers - ASANO's "Viejo Ciego." Technically it was recorded in 1928,Open Frame Digital Signage | Factory - ASANO,Open Frame Digital Signage | Suppliers - ASANO.Wall Mounted Digital Signage 27 | OEM/ODM - ASANO,Wall Mounted Digital Signage 27 | Price - ASANO,Wall Mounted Digital Signage 27 | Manufacturers - ASANO,Wall Mounted Digital Signage 27 | Factory - ASANO.

"Viejo Ciego"Wall Mounted Digital Signage 27 | Suppliers - ASANO(1928)

Another popular style of tango at this time was Tango Cancíon,Display Showcase With Transparent Door | OEM/ODM - ASANO. Tango Cancion was born, in 1917, with Gardel's recording of "Mi Noche Triste."Display Showcase With Transparent Door | Price - ASANO, featuring melodramatic and sad lyrics. Dancers were not the primary concern with Tango Cancíon.Display Showcase With Transparent Door | Manufacturers - ASANO"Caminito" from 1926.

"Caminito"Display Showcase With Transparent Door | Factory - ASANO(1926)

And finally,Display Showcase With Transparent Door | Suppliers - ASANO, by Julio de Caro called, "Flores Negras." As you can hear,Ckd Led Tv | OEM/ODM - ASANO. It is beautiful music and great for listening, but not at all for dancing tango.Ckd Led Tv | Price - ASANO.

"Flores Negras" by Julio de Caro (1927)

1935 to 1939 - The D'Arienzo Revolution
In the early 1930s, d'Arienzo'Ckd Led Tv | Manufacturers - ASANO,Ckd Led Tv | Factory - ASANO, gained him a following. And, in 1935,Ckd Led Tv | Suppliers - ASANO. In later years, d'Arienzo would comment on the Guardia Nueva movement, by writing:

"Small Size Tv | OEM/ODM - ASANO.Small Size Tv | Price - ASANO, nervous up-tempos. Youth is after that: happiness, movement. If you play for them a melodic tango and out of beat, surely they won't like it. That's what happens. Now there are good musicians and great orchestras that think that what they play is tango. But it is not so. If they don't have timing there's no tango. They think they can make popular a new style and perhaps they can be lucky, but I keep on thinking that if there is no beat there is no tango. As professionals I have respect for them all. But what they dig is not tango."

Also, on the Tango Cancíon movement:

"In my point of view, tango is, above all,Small Size Tv | Manufacturers - ASANO, nerve, strength and character. Early tango, that of the old stream (guardia vieja), had all that, and we must try not to ever lose it. Because we forgot that, Argentine tango entered into a crisis some years ago. Putting aside modesty, I did all was possible to make it reappear. In my opinion,Small Size Tv | Factory - ASANO.Small Size Tv | Suppliers - ASANO. The players, including the leader, were no more than accompanists of a somewhat popular star…

Furthermore, I tried to rescue for tango its masculine strength, which it had been losing through successive circumstances.Narrow Border Televison | OEM/ODM - ASANO, the nerve, the strength and the character which distinguished it in the music world."

From these two quotes, you can clearly tell how he felts about these movements, and also, what a modest person he was ;-). He once said, "With me one hundred thousand tango orchestras and neighborhood clubs flourished."

Of course, d'Narrow Border Televison | Price - ASANO, Alberto Echague and Jorge Valdez and sometimes did put them out front. He also made himself somewhat of a star and loved to enthusiastically direct the orchestra during live performances.Narrow Border Televison | Manufacturers - ASANO. D'Arienzo said of his direction:

"When I direct I am justifiably natural. And I transform. As I direct I take what I feel. Simultaneously I pass on my feelings to the musicians and they, to the public... Before I directed with the baton, now with my own hands: they are more expressive.

Do not think that this is just for the public to see - it is used as a defence by me. I use it well. A look implies a mistake by someone,Narrow Border Televison | Factory - ASANO. They are used by me as a course when I see a loose element, or someone is distracted. I encourage and demand that you be aware, and encourage you with enthusiasm."

Of course, not everyone liked d'Arienzo. Many of the devotees of these movements, saw this turn to the strong beat, as simplistic, regressive and as a serious step backwards for tango music. But the dancer's loved it and between 1935 and 1939,Narrow Border Televison | Suppliers - ASANO. In fact,Video Tv Led Display | OEM/ODM - ASANO. Supposedly, some record stores required that you buy something else, in order to by one of his records.

Unfortunately,Video Tv Led Display | Price - ASANO. Everything we listen to today are recordings of 78s and LPs. So, let's listen to "Hotel Victoria." It was recorded during his first recoding session, in July of 1935. Lidio Fasoli is on piano.Video Tv Led Display | Manufacturers - ASANO, but is nothing "special." But, contrast this to "Flores Negras" and you can see why dancer's responded to d'Arienzo.

"Hotel Victoria" by Juan d'Arienzo (1935)

D'Arienzo and Biagi
The defining moment of d'Arienzo's career came in 1935 when he added Rodolfo Biagi as the pianist for his Orchestra.Video Tv Led Display | Factory - ASANO'Arienzo had grown tired of Fasoli showing up late.

Together d'Arienzo and Biagi created his signature driving staccato sound. Soon after, Biagi began writing new arrangements of the songs, creating an even more staccato, uptempo sound than that of the Guardia Vieja. They also increased the orchestra size by increasing both the violins and bandoneons to five each. This filled the songs with a, thus unparalled, aggressive energy that dancers and listeners loved. Let's listen to their first recording together "Nueve de Julio."

"Nueve de Julio" by Juan d'Arienzo (1935)

Ok, so a style is developing, but what makes Biagi so special, as a piano player? Why was he given the nickname "Manos Brujas (Witchy/Magical Hands). Let's listen to another song from two years later, their interpretation of the seminal piece "El Choclo." Here, we will hear his magical hands at work connecting the phrases and adding little accents.

"El Choclo" by Juan d'Arienzo (1937)

By 1938, d"Arienzo's orchestra was at the height of its popularity. He was just 35 years old, one less than Julio de Caro, but stylistically at the other end of the musical spectrum of tango. His records were selling and they were regularly playing on radio shows. But remember, above, when I made the joke about d'Arienzo being modest? Well, audiences had been becoming bigger and bigger fans of Biagi, and at a concert later that year, after a performance of “Lágrimas and Sonrisas,” the audience clapped until Biagi finally stood up and took a bow. As the story goes, d'Arienzo walked over to him and said, “I’m the only star of this orchestra. You’re fired.”

"Lagrimas y Sonrisas" by Juan d'Arienzo (1936)

Some doubt the story surrounding Biagi's firing, and it very well may not be true, but I do find it interesting that Biagi recorded a far superior version of "Lágrimas y Sonrisas" three years later featuring some "standing ovation" worthy piano playing.

"Lagrimas y Sonrisas" by Rodolfo Biagi (1941)

However, this split did not seem to slow either of them down. In just two short months, Biagi put together a full orchestra and signed a record contract and a radio contract. D'Arienzo replaced Biagi with Juan Polito, and was back in the recording studio just two weeks later. D'Arienzo often said, "The foundation of my orchestra is the piano. I regard it as irreplaceable." Juan Polito might not have been Biagi, but he was pretty close and D'Arienzo continued down the path that he and Biagi had developed. Then two years later, Polito would be replaced with Fulvio Salamanca.Video Tv Led Display | Suppliers - ASANO'Arienzo.

Some of Clint and Shelley's Performances and Classes to D'Arienzo:

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